![]() ![]() The latter is essentially a skyscraper turned on its side - Stelmarski calls it a “groundscraper” - with about 300,000 square feet of space on floor plates that each cover 3 acres. Stelmarski has also led design on two major projects for Baylor Scott & White: a sports medicine center attached to the Dallas Cowboys’ Star development in Frisco and an administrative complex on the eastern fringes of Deep Ellum. UT Southwestern Medical Center at Red Bird Mall. “It has really been great to have people look at nature and not concentrate on the chemotherapy treatment,” says Victoria Doby, a clinic practice manager for UT Southwestern.Ĭlad in crisp white panels and large glass panes, it is unequivocally the most aesthetically advanced work of architecture at the formerly dilapidated mall, which is in the midst of a $200 million makeover into a mixed-use urban center by developer Peter Brodsky. The once grim retail space, originally built in the 1970s, was sliced open down its middle to create a central garden, bringing light and natural views into its interior. Floors of white terrazzo and ceilings of blond pine create warm, limpid spaces within.Īt the former Red Bird Mall, Stelmarski has orchestrated the transformation of a shuttered Sears outpost into a 150,000-square-foot medical center for UT Southwestern. ![]() Set adjacent to the Camp Wisdom DART stop, the bar-shaped building is enclosed by gray metal panels and vertical windows that give it a distinctly minimal appearance. The Singing Hills Recreation Center, from 2021, brought sophisticated modern design to an area of southern Dallas that rarely sees advanced architecture. With Johnson, Stelmarski worked on institutional and commercial projects around the world. When the Maddox firm was acquired by Perkins & Will, his focus shifted back to architecture and he began working under firm principal Ralph Johnson, a modernist widely respected for the clarity and quality of his designs. “I had gone through two degrees in architecture and still hadn’t really talked about materiality and real interior environments,” he says. He returned to Chicago in 2001, finding work with the interior designer Eva Maddox, a specialist in branded environments. He moved on to graduate school at Yale, where he took classes with the architects Zaha Hadid and Frank Gehry, and served as a teaching assistant for the legendary architectural historian Vincent Scully.Īfter graduation, he joined the New Haven office of César Pelli, where he worked on the design of the 54-story Bloomberg Tower in midtown Manhattan. Upon graduation, he moved to Chicago and found work with a small firm designing affordable housing. He studied architecture at the University of Cincinnati, becoming the first member of his family to earn a college degree. (The recent sale of the building and departure of its original client has left the future of its interior plan in jeopardy.) The building has an offset structural core that opens up space for a central atrium and staircase intended to promote collaboration. Completed in 2015, it artfully disguises 10 stories of parking below eight floors of offices. Commissioned for the Richards Group advertising agency, it is an 18-story black-glass block that lords, or perhaps looms, over North Central Expressway. ![]() His first completed project here is among his most prominent - and polarizing. Stelmarski has been building in Dallas for little more than a decade. But Dahl began building in Dallas in the 1920s and took more than a half century to develop his estimable catalog. His office’s prodigious output recalls that of George Dahl, the prolific Dallas architect whose firm designed dozens of Dallas buildings, among them downtown’s Neiman Marcus flagship, the First National Bank Tower and the old Dallas Public Library (now home to The Dallas Morning News). “In a large firm you can’t help but be collaborative.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |